Jul 13


Writ­ing the Back­story — Fic­tion
By Joy Cagil

A back­story shows what hap­pened before the story started. The rev­e­la­tion of back­story secrets through­out the story helps enhance the drama in the action even if the story is in gen­res such as mys­tery, hor­ror, and action-adventure. A back­story may be the his­tory of a town, objects, or other ele­ments or what hap­pened to the char­ac­ters ear­lier that may influ­ence their behav­ior and mode of action in the plot.

In our time, most sto­ries, espe­cially short sto­ries, begin closer to the end. Until about fifty or so years ago, authors wrote sev­eral pages explain­ing a character’s back­story. Nowa­days, we call this info-dump, and we try to avoid it no mat­ter what. The back­story works bet­ter if it is given in small doses and only when nec­es­sary. On the other hand, it is very impor­tant for the writer to be well aware of the back­story even if he never tells it to the readers.

In real life, every per­son has a back­story or a past that influ­ences his present and future. Know­ing his char­ac­ters’ pasts will enable the writer to present real peo­ple to his read­ers. In other words, the writer needs to know where his char­ac­ters are com­ing from so he can use just the right words to express why the char­ac­ters are act­ing the way they are act­ing. Then, to cre­ate depth and to kin­dle the imag­i­na­tion of the reader, the writer may choose only to hint at a back­story and leave shadow areas. This objec­tive can be best achieved if the writer him­self is famil­iar with the back­story in its entirety. For this, it is nec­es­sary to make char­ac­ter sheets for the pri­mary char­ac­ters with empha­sis on inter­nal traits and his­tory sheets for the objects and the set­ting, espe­cially if the objects or the set­ting are play­ing an impor­tant role through­out the plot.

All short sto­ries, plays, and nov­els need back­sto­ries, but the writer does not need to push a back­story on the reader as a whole. There are instances, how­ever, when the back­story needs to be told in one chunk, such as in a long work as a pro­logue where an imag­i­nary world is impor­tant to the plot.

Other meth­ods of insert­ing the back­story are through flash­backs, dis­cus­sions between the char­ac­ters, and a very short sum­mary of past action some­where inside the story. The rule of thumb is, sto­ries work bet­ter if the back­story is inserted in the first half closer to the mid­dle rather than in the very begin­ning or at the end. In addi­tion, it is impor­tant to remem­ber to make the story more excit­ing than the back­story, so the back­story does not over­power the plot.

Here is an exer­cise for writ­ers to test the impor­tance of a back­story:
If you are not sure of the impor­tance of the back­story for a writer, do this exer­cise to con­vince your­self. Either write a story just to write the plot (what hap­pened) or write a three sen­tence plot, first sen­tence for the begin­ning, sec­ond for the mid­dle, and third for the end­ing. Then take the set­ting and the char­ac­ters and give them back­sto­ries. Now write the story, giv­ing it all you’ve got. You do not have to include the back­sto­ries, but you should know them as you write. I bet you’ll find that your story has a depth that wouldn’t be there if it didn’t have a backstory.

Joy Cagil is an author on http://www.Writing.Com/
which is a site for Writ­ers

Arti­cle Source: http://EzineArticles.com/?expert=Joy_Cagil
http://EzineArticles.com/?Writing-the-Backstory—Fiction&id=2591570

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